As part of my research of Birmingham based cultural entrepreneurs, I aim to highlight the context in which they operate by outlining some key policies and selecting a few important developments and projects. I identify that cultural entrepreneurs are not working in a vacuum but that the language of enterprise, an emphasis on economic development and the role of the cultural industries as part of the city is an important factor in the space of production.
Bourdieu’s notion of a ‘fields of production’ is revealed through the policies, powerful agencies and is linked to ‘habitus’ represented by the networks of individual cultural entrepreneurs who play a role in influencing the ‘field’ by creating their own projects, blogs and events. There is a sense that spaces associated with the cultural industries, either through individuals or through policy making, have much in common. But which comes first, the strategy or the activities of cultural entrepreneurs? Continue reading